| Calendar |
| « August 2025 » |
| Su |
Mo |
Tu |
We |
Th |
Fr |
Sa |
| | | | | | 1 | 2 | | 3 | 4 | 5 | 6 | 7 | 8 | 9 | | 10 | 11 | 12 | 13 | 14 | 15 | 16 | | 17 | 18 | 19 | 20 | 21 | 22 | 23 | | 24 | 25 | 26 | 27 | 28 | 29 | 30 | | 31 | |
| Friends Site |
Код нашей кнопки:
Code of our button:
|
| NEWS PARTNERS |
|
|
Archive
Home » Tutorials
 Digital-Tutors : Exploring Animation Principles in Maya 2011: Exaggeration In this collection of lessons we will learn about the Animation Principle of Exaggeration
This course will delve in the animation principle of
Exaggeration in Maya. The goal of this course is to give you a clearer
understanding of what exaggeration is all about. We will explore
various ways exaggeration can be implemented successfully. We'll also
cover how and how not it should be used, which will, in turn, strength
your ability as an animator as you use this principle to refine your
work for a more entertaining end result.
...
Read more »
|
 Digital Tutors - Exploring Animation Principles in Maya 2011: Anticipation
English | VP6F 782x646 | MP3 96 kbps | 185 MB In this collection of lessons we will learn about the Animation Principle of Anticipation.
This course will delve in the animation principle of Anticipation in Maya.
...
Read more »
|
 Digital Tutors Getting Started with UVs in 3DS Max 2011Video: Flash Video (vp6f) .FLV | 1h 12m | Resolution: 782x646 | Audio: mp3, 44100 Hz, mono, 96 kb/s | 439 MB
In this course we're going to explore at the basics of UVs in 3DS Max.
UVs and UV layouts are vital elements in creating textures for
our 3d models. They allow us to tell the program how to apply the 2d
images we create. Having good UVs can really make a difference in
speeding up texture creation and optimizing your results.
...
Read more »
|
Maya Camera Sequencer Digital Shot Progression DVD | 808 MB
In this DVD, John presents the new Camera Sequencer in Autodesk Maya, a toolset that allows users to create camera shots in a non-linear editing-style timeline within Maya. Using the Camera Sequencer, the viewer will learn production methods of building full sequences in Maya, shot-by-shot, which can then be playblasted as movies for editorial and animation. John begins by exploring the Sequencer menu and tool bar, and doing a general run down of all the exciting new functionality. Using a simple cycle of animation, he uses the Sequencer to "shoot" the animation from various camera angles, and edits the resulting shots until they begin to tell a story. Learn how to use the non-linear editing functions of the Sequencer - cutting, trimming, scaling and sliding shots on tracks, and look at methods to create and group alternate camera setups for easy presentation. John will also show you how to import a set of storyboards which have been exported from Final Cut Pro, and how to build a sequence of animation from these storyboards. This lecture will give animators, previs and rough layout professionals the ability to create full sequences of animation directly within Maya, quickly and efficiently.
...
Read more »
|
 Look Development with mental ray 3ds Max Techniques with Alessandro CangelosiВ этом DVD, Alessandro Cangelosi знакомит вас с различными техниками необходимыми для реалистичной архитектурной визуализации, создания процедурной натуралистичной окружающей среды, скриптования, и второстепенных эффектов, таких как глубина резкости и объемный свет. Он рассказывает про процедурное моделирование, затенение, освещение, управление сценой посредством mental ray, а также про заключительное объединение отрендеренных проходов посредством Autodesk Combustion и Composite, (aka Toxik), и всё ради достижения фото реалистичного вида. Также Alessandro объясняет как можно эффективно контролировать настройки визуализации используя MAXScript, с возможностью добавления необходимых инструментов в производственный процесс. This week The Gnomon Workshop releases a new rendering DVD for 3ds Max and mental ray. Titled Look Development with mental ray, this new tutorial introduces instructor Alessandro Cangelosi, who has extensive teaching experience and technical expertise for achieving a photorealistic look with mental ray. Using Autodesk 3ds Max, Combustion and Composite (aka Toxik), he covers lighting strategies for a cinematic architectural interior, efficient scene management, procedural natural environments, shading pipeline and mental ray features, live integration, production shaders, scripting and much more.
...
Read more »
|
 Digital Tutors - Introduction to 2.5D ReLighting in Nuke + Project files
English | VP6F 782x646 | MP3 96 kbps | 531 MB In this series of lessons we'll learn how to do 2.5D relighting in Nuke.
2.5D relighting allows us to place lights in Nuke's 3d space and have
them cast light on our images in a realistic fashion, using only image
passes, no geometry. This is an incredibly powerful tool to change our
3d renders inside Nuke
We'll begin this project by learning what 2.5D relighting is,
how we need a normals and point position pass from our 3d application,
and the limitations of relighting in Nuke. We'll then learn how to use
the un-supported ReLight node available in newer versions of Nuke, and
how to connect all the passes together to make it work. We'll then learn
a few techniques to get the most out of the relight node and how to use
multiple relight nodes together. We will finish by taking a look at
various methods of getting our image passes out of Maya and Softimage.
By the end of this course, you should be able to begin experimenting
with relighting in Nuke using your own projects.
...
Read more »
|
 VRay d complete Guide__PDF and VIDEO CD
...
Read more »
|
 In this series of lessons we'll learn how to combine depth maps to
create correct layering between two renders. This allows us to split out
scenes into multiple render layers while keeping the correct pixels on
top.
We'll begin by taking a look at what is depth-based compositing
or layering and why we would want to use it. Then we'll learn about some
of the downsides of using this technique. We'll then dive in to After
Effects and create a matte for our foreground layer using it's depth map
and the background depth map. We'll then learn how to work with depth
maps including combining maps from different scene scales, using
depth-based layering to fix interpenetration issues and making depth
maps human readable and error-free.
...
Read more »
|
 Описание: Это второй комплект по анимации частиц от гуру Ансельм В. Он покажет весь рабочий процесс анимации начиная с инструментов и заканчивая самой анимацией,так же Вы увидите как работать с плагином Box 2 Pro-это плагин для Particle Flow. Этот курс полезен новым пользователям и профессионалов. Кроме того, научитесь пользоватся популярным плагином RayFire и многое другое. Более 9 часов видео этого урока является наилучшим решением для подготовки всех, кто желает узнать больше о Particle Flow! This second training kit from freelance particle and destruction effects guru Anselm v. Seherr-Thoss will help you get up to speed quickly with the workflow and operators that are part of the PFlow Tools: Box 2 Pro plug-in for Particle Flow. This course will give new users and intermediate professionals alike the ability to assemble dynamic Particle Flow systems using these advanced plug-in technologies. Additionally, several bonus videos show you how to take advantage of the popular RayFire destruction plug-in.
...
Read more »
|
 In this series of lessons, we will explore some of the core rendering
tools and features that every CINEMA 4D rendering artist needs to be
familiar with.
This course is designed for users who are just getting started
with rendering in CINEMA 4D, so we will not be focusing heavily on the
use of lights, materials or recipes to give your render a specific look.
Instead, our focus will be on helping you build a strong foundational
knowledge of rendering in CINEMA 4D by talking about many of the key
tools, features and concepts that every rendering artist in CINEMA 4D
really needs to be familiar with. We will also learn how to resolve some
rendering related issues that you may encounter, and we will focus very
heavily on helping you develop good habits and strong workflow
practices that will be extremely beneficial to you as an emerging render
artist.
...
Read more »
|
|
|
| Statistics |
Total online: 1 Guests: 1 Users: 0
|
|
